{"id":72,"date":"2009-03-27T08:10:00","date_gmt":"2009-03-27T08:10:00","guid":{"rendered":"http:\/\/rbicmsblog.reedbusiness.com\/elogic_660000266\/2009\/03\/27\/all-hail-geraldine-mccaughrean\/"},"modified":"2009-03-27T08:10:00","modified_gmt":"2009-03-27T08:10:00","slug":"all-hail-geraldine-mccaughrean","status":"publish","type":"post","link":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/?p=72","title":{"rendered":"All Hail Geraldine McCaughrean"},"content":{"rendered":"<p><img decoding=\"async\" align=\"right\" src=\"http:\/\/www.publishersweekly.com\/articles\/blog\/660000266\/20090322\/packoflies.jpg\" alt=\"\">Last Saturday I vaporized my morning finishing one book (which was INCREDIBLE but about which I&#8217;m not allowed to talk&nbsp;just yet) and then another (which was also incredible and which I <em>am<\/em> allowed to talk about and will do so&#8230; NOW.)<\/p>\n<p> <em><a href=\"http:\/\/www.marshallcavendish.us\/marshallcavendish-us\/children\/catalog\/paperback_fiction\/9780761455790.xml\" target=\"_blank\" rel=\"noopener\">A Pack of Lies<\/a><\/em> by <a href=\"http:\/\/www.geraldinemccaughrean.co.uk\/\" target=\"_blank\" rel=\"noopener\">Geraldine McCaughrean<\/a>&nbsp;(pronounced &quot;Muh-<em>cork<\/em>-run&quot;) was first published in the U.K. way back in 1988, at which time it was awarded both the Carnegie Medal and the Guardian Award. Soon thereafter&nbsp;I believe&nbsp;Oxford University Press published it here, but at some point during&nbsp;in the many years that have passed since that time,&nbsp;the book went out of print. Thankfully, Marshall Cavendish has rectified that situation by bringing the book back into print this season in paperback (and with a great cover too). In&nbsp;so doing they&#8217;re giving American readers&nbsp;a renewed&nbsp;chance to read one HECK of a book by a woman who I happen to think is one of the world&#8217;s most talented writers for children and young adults.<\/p>\n<p> I first fell in love with Geraldine McCaughrean&#8217;s writing when Simon and Schuster offered me the remarkable opportunity to read a manuscript copy of her then forthcoming book <em><a href=\"http:\/\/books.simonandschuster.com\/9781416918080\" target=\"_blank\" rel=\"noopener\">Peter Pan in Scarlet<\/a><\/em>. At the time I hadn&#8217;t knowingly read anything by Geraldine and, while I recognized the good work of Great Ormond Street Children&#8217;s Hospital, I&nbsp;was very suspicious of the very IDEA that <em>Peter Pan<\/em> needed or &quot;ought to have&quot; a sequel.&nbsp;I love the original&nbsp;<em>Peter Pan<\/em>, after all. I think it&#8217;s&nbsp;a fantastically fun book with a delightful tongue-in-cheek tone that feels fiendishly devilish as it mock adults from at the start, the finish, and everywhere in between. I thought of <em>Peter Pan<\/em> as rather holy ground and couldn&#8217;t bear the thought of&nbsp;any &quot;contemporary&quot; author defiling it.<\/p>\n<p> But I&#8217;m a professional bookseller. I knew S&amp;S was entrusting me with a rare opportunity, so I took it. And&nbsp;on the&nbsp;very first page of <em>Peter Pan in Scarlet<\/em> I had a revelation: HERE was an author who &quot;got it.&quot; Geraldine McCaughrean had somehow done what I thought no one could do: she&nbsp;dusted off Barrie&#8217;s characters who (in her telling of their story) had been busy getting on with life for a few decades and breathed new life into them in a way that felt wholly authentic and wonderfully true. Her characters were Barrie&#8217;s characters. Her language was Barrie&#8217;s language. The more I read of the book, the more I couldn&#8217;t understand how Geraldine McCaughrean had done such perfect justice to someone else&#8217;s characters and story. SO, I read more of her books. And those impressed me so much I read still more.&nbsp;This was a true love affair. By the time Geraldine came to our store in the fall of 2006, I think I&#8217;d&nbsp;read quite a significant percentage&nbsp;of the&nbsp;140 (!!)&nbsp;or so&nbsp;books&nbsp;she&#8217;d written, and there wasn&#8217;t one that I didn&#8217;t at least enjoy and in most cases marvel at.&nbsp;But I hadn&#8217;t read <em>A Pack of Lies<\/em> until last Saturday, so clearly my education was not complete.<\/p>\n<p> <em>A Pack of Lies<\/em> is the story of a mother and teenage daughter, Ailsa,&nbsp;who barely make ends meet with the paltry sums they collect&nbsp;by way of&nbsp;sales in their small antique shop. Into their world of depressed near-poverty strides a man by the name of MCC Berkshire who is, it would appear, a compulsive liar. He quickly insinuates himself into their lives, taking up residence in their store and giving himself a job, for which he is paid in&nbsp;room, board, and books,&nbsp;the latter&nbsp;of which&nbsp;he devours constantly before heading out to purchase more (though not, of course, with his own money).<\/p>\n<p> One of the few things that can make&nbsp;MCC put down a book is a disinterested customer &#8212; they&#8217;re MCC&#8217;s specialty. While Ailsa&#8217;s compulsively honest mother can&#8217;t help but reveal all the flaws in the items she sells and in so doing put off any interested buyer, MCC can take one look at a writing desk and conjure up a tale about its origins that is so rich, so remarkable, so replete with visceral details as to&nbsp;at least quadruple the object&#8217;s value. His listeners may not <em>believe<\/em> his stories, but they&nbsp;ARE enchanted by them, which has the same effect on their buying inclinations.&nbsp;Without MCC, customers leave the little antique shop with a knick-knack or a piece of furniture.&nbsp;With MCC&nbsp;they go home with a piece of history, with a work of art, with tangible evidence of a story.<\/p>\n<p> MCC&#8217;s story, however, remains a complete mystery to Ailsa and her mother. Their initial suspicions of him fade and are replaced with an odd, befuddled fondness that grows, albeit a bit unsteadily,&nbsp;until Ailsa&#8217;s mother fears that her daughter&#8217;s doe-eyed fondness is becoming something more. Who is this&nbsp;MCC? Where does he come from? What is his story?&nbsp;Can a liar be trusted with anyone, let alone one&#8217;s daughter?<\/p>\n<p> I&#8217;ve never described any book this way before, but I&#8217;m calling&nbsp;<em>A Pack of Lies<\/em>&nbsp;&quot;wickedly delicious.&quot; It is puzzling and curious and clever and funny.&nbsp;Surprising, mystifying, beautiful, and then some. One of the great joys of&nbsp;the book is discovering that the short stories it contains (in the form of MCC&#8217;s lies) are each as complex and mysterious and spell-binding as the overarching story that contains them. While at first I worried that MCC&#8217;s stories would come to feel like lengthy diversions from the book&#8217;s central plot, I soon found myself grinning (literally) with eager anticipation of the next tale&#8217;s arrival, wondering what yarn&nbsp;MCC would&nbsp;spin next, in what&nbsp;style it would be written,&nbsp;and how many perfect metaphors and similes I&#8217;d find there.<\/p>\n<p> Months ago I planned to write a post about Geraldine McCaughrean&#8217;s wicked sense of humor and her remarkable use of simile, metaphor, and alliteration, but I didn&#8217;t get any farther than to mark passages in a few of her books. Why? Because in marking those passages I wound up rereading large chunks of those books&nbsp;and in so doing eviscerated my post-writing time for that day. (Damn!) But let me give you two samples of Geraldine&#8217;s genius, and then you can go off and find all the rest. Or share one of your favorite McCaughrean passages&nbsp;here!<\/p>\n<p> From&nbsp;Chapter Three&nbsp;of&nbsp;<em>A Pack of Lies<\/em>:<\/p>\n<blockquote>\n<p><em>That night, the crickets and toads roared around the house like a migraine, and the moonlight plastered it with sweat, and the flickering shadows of bats flecked the moonbeams as thickly as motes in sunshine. Fireflies were setting a slow fuse to the world, and when it burned right down, there would come an explosion of Papa&#8217;s anger. Grace lay awake, trying to think of a lie that would get her out of trouble.<\/em><\/p>\n<\/blockquote>\n<p>From&nbsp;Chapter&nbsp;Seven&nbsp;of&nbsp;<em>A Pack of Lies<\/em>:<\/p>\n<blockquote>\n<p><em>Dafyd Tresillick wore an oilskin when it rained (and it rains a lot on the west coast of Wales. He wore an oilskin and a sou&#8217;wester, even though he was no longer a member of the lifeboat crew. The oilskin was so stiff that it stood up on its own account &#8212; a headless apparition haunting the corner of the shed. In light rain he wore only an oiled-wool aran pullover, which smelled of tarry sheep when it got warm but which would keep the rain off nicely so long as nobody washed it in detergent.<\/p>\n<p> Tresillick did not believe in umbrellas. Some people don&#8217;t believe in God; Tressilick didn&#8217;t believe in umbrellas. In fact, he disbelieved with a pagan f<br \/>\ner<br \/>\nvour. He did not own one. He would not be given one &#8212; not for birthdays or Christmas or to please his wife. He said that any man who used one was a pansy, and any woman a public pest.<\/em><\/p>\n<\/blockquote>\n<p>It&#8217;s worth reading the rest of this book, just to find out what becomes of dear old Dafyd whose &quot;<em>bald head gleamed as the raindrops rolled in great curves across his scalp like tiny airliners flying over the North Pole<\/em>.&quot;<\/p>\n<p> (I couldn&#8217;t resist leaving you with that image.)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Last Saturday I vaporized my morning finishing one book (which was INCREDIBLE but about which I&rsquo;m not allowed to talk&nbsp;just yet) and then another (which was also incredible and which I am allowed to talk about and will do so&hellip; NOW.) A Pack of Lies by Geraldine McCaughrean&nbsp;(pronounced &#8220;Muh-cork-run&#8221;) was first published in the U.K. [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-72","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts\/72","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=72"}],"version-history":[{"count":0,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts\/72\/revisions"}],"wp:attachment":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=72"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=72"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=72"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}