{"id":1767,"date":"2010-08-03T06:00:02","date_gmt":"2010-08-03T10:00:02","guid":{"rendered":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/?p=1767"},"modified":"2010-08-03T06:00:02","modified_gmt":"2010-08-03T10:00:02","slug":"selling-books-in-one-line-or-less","status":"publish","type":"post","link":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/?p=1767","title":{"rendered":"Selling Books in One Line or Less"},"content":{"rendered":"<p>Most booksellers have had this experience at least once or twice in their careers: selling a book based on a single sentence uttered to a receptive ear. It&#8217;s a rare and delicious triumph of communication, a gift given by the booktalking muse, and it delights customers as much as it delights booksellers.<br \/>\nSometimes, a book provides you with that magical line\u2014often its first sentence\u2014and all one needs to do is read it aloud to a customer and the book is sold. For instance, Frances Marie Hendry&#8217;s marvelous <em>Quest for a Maid<\/em> begins with this stunner: &#8220;When I was nine years old, I hid under a table and heard my sister kill a king.&#8221; That&#8217;s all a kid needs to hear to want to read that book. The same is true of Avi&#8217;s <em>True Confessions of Charlotte Doyle, <\/em>which starts thusly: &#8220;Not every thirteen-year-old-girl is accused of murder, brought to trial, and found guilty.&#8221; The reader is hooked like a pike on a piece of year-old Velveeta.<br \/>\nNot every great first line is enough to sell a customer on a book, though. Perhaps the most famous first line in children&#8217;s literature is &#8220;Where&#8217;s Pa going with that ax?&#8221; from E.B. White&#8217;s <em>Charlotte&#8217;s Web.<\/em> The line certainly earns a reader&#8217;s riveted attention, but a bookseller definitely has to add a little bit about Charlotte and Wilbur to that booktalk (at least, if the customer has been living on Neptune for the past century and doesn&#8217;t already know the book). And a little extra description is required for one of my favorite first lines, from M.T. Anderson&#8217;s <em>Feed:<\/em> &#8220;We went to the moon to have fun, but the moon turned out to completely suck.&#8221; It&#8217;s a perfect piece of immediate world-building, but doesn&#8217;t give a customer a sense of the plot \u2014 so you need a second sentence. But that&#8217;s all it takes.<br \/>\nIn our store, the most common single-sentence sales come from simply saying that one of our booksellers loved it. These aren&#8217;t bookstore-muse-inspired one-liners, but it&#8217;s certainly gratifying to make sales based on that level of trust our customers have for our staff members.<br \/>\nThe key to the one-liner is that it has to lure the reader with something irresistible, something intriguing or powerful or magical or mysterious that invites a deeper relationship with the book. It also has to be sincere, enthusiastic, and heartfelt. I&#8217;m sure the expressions on our faces that sell books as much as the words we use. People can see it in your eyes when you&#8217;ve loved a book, lived it, want to share it with others. Here are some of the one-line (or one-phrase) descriptions we give that seem to do the trick for readers.<br \/>\n<em>The Boxes<\/em>, by William Sleator: &#8220;A boy&#8217;s mysterious uncle gives him a package to hide, instructing him never to open it\u2014and then the box in his closet begins to tick.&#8221;<br \/>\n<em>A Barrel of Laughs, A Vale of Tears<\/em>, by Jules Feiffer: &#8220;There&#8217;s a prince so silly that everyone falls down laughing near him, so his father the king thinks he&#8217;ll make a terrible ruler someday and sends him on a quest to be serious.&#8221;<br \/>\n<em>The Hunger Games<\/em>, by Suzanne Collins: &#8220;It&#8217;s got a really brutal premise, but it&#8217;s amazing.&#8221; That&#8217;s enough for kids. For writers and teachers, I add: &#8220;<em>and<\/em> it&#8217;s the most perfectly paced book I&#8217;ve ever read.&#8221;<br \/>\n<em>Life as We Knew It<\/em>, by Susan Beth Pfeffer: &#8220;A meteor hits the moon off-course, causing major natural disasters, and a typical teenage girl&#8217;s whole life, everything she&#8217;s ever known and counted on, begins to unravel.&#8221; That&#8217;s enough to hook a reader, and as we walk toward the front desk, we like to add that it&#8217;s a one-sitting read, and that the customer is going to start obsessing about survival supplies.<br \/>\nGerald Durrell&#8217;s <em>My Family and Other Animals<\/em>: &#8220;It&#8217;s like reading bottled sunshine.&#8221;<br \/>\n<em>The Count of Monte Cristo<\/em>, by Alexandre Dumas: &#8220;This is a  great summer read: an epic potboiler full of betrayal, revenge, prison  escapes, duels, star-crossed lovers, rags and riches.&#8221;<br \/>\n<em>The Last of the Really Great Whangdoodles<\/em>, by Julie Andrews Edwards: &#8220;Three kids meet this funny little professor who needs their help to get to the magical Whangdoodleland and rescue the last whangdoodle.&#8221; For adults, I add: &#8220;And it&#8217;s by Julie Andrews, one of the few celebrities who writes beautifully for children.&#8221;<br \/>\n<em>Mrs. Biddlebox<\/em>, by Linda Smith and illustrated by the inimitable Marla Frazee: &#8220;It&#8217;s the perfect book for anyone who&#8217;s caught in a black cloud at the moment, and the illustrations are remarkable.&#8221; I love this book so much, and always felt it didn&#8217;t get the attention it deserved.<br \/>\n<em>Weslandia<\/em>, by Paul Fleischman: &#8220;A boy who&#8217;s kind of a loner, and not like most other kids, is incredibly original and starts building his own society, which unexpectedly brings him all kinds of friends.&#8221; (This one works well because every kid feels different from other kids, and wants to create a world where everyone belongs. Or, um, was that just me?)<br \/>\nThe nearly wordless sell:<br \/>\nI think Josie has written about this exchange before, but it was such a funny\/wonderful bookstore moment that I&#8217;m repeating it. She had recommended Markus Zusak&#8217;s <em>The Book Thief<\/em> to a customer, commenting that it was in my personal top ten or twenty favorite books of all time. The customer came up to the counter, caught my eye, and said, &#8220;It&#8217;s really that good?&#8221; All I did was look at her, my face revealing, I guess, every bit of the awe and power and compassion and sorrow and humor that book conjures up for me. &#8220;Sold!&#8221; she crowed, and plunked down her fifteen dollars. We all just laughed. That&#8217;s some book.<br \/>\n<em>How Rocket Learns to Read<\/em>, by Tad Hills: Show them the cover. That&#8217;s it. (It&#8217;s easy to come up with a single line to recommend this one, too, though.)<br \/>\nBooksellers and librarians and teachers and readers out there, what are your most successful one-line booktalks?<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Most booksellers have had this experience at least once or twice in their careers: selling a book based on a single sentence uttered to a receptive ear. It&rsquo;s a rare and delicious triumph of communication, a gift given by the booktalking muse, and it delights customers as much as it delights booksellers. Sometimes, a book [&hellip;]<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1767","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts\/1767","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1767"}],"version-history":[{"count":0,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts\/1767\/revisions"}],"wp:attachment":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1767"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1767"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1767"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}