{"id":13322,"date":"2014-06-13T08:30:18","date_gmt":"2014-06-13T12:30:18","guid":{"rendered":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/?p=13322"},"modified":"2014-06-13T08:30:18","modified_gmt":"2014-06-13T12:30:18","slug":"great-spoof-the-anti-anti-ya-book-list-compiled","status":"publish","type":"post","link":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/?p=13322","title":{"rendered":"Spoofy Brilliance + the Anti-Anti-YA Book List, Compiled"},"content":{"rendered":"<p><img decoding=\"async\" class=\"alignright\" alt=\"\" src=\"http:\/\/images.penguingroup.com\/Covers\/035\/9780525426035M.jpg\" width=\"210\" height=\"318\" \/>Earlier this week, I posted a call to gather titles to counter one writer&#8217;s <a href=\"http:\/\/www.slate.com\/articles\/arts\/books\/2014\/06\/against_ya_adults_should_be_embarrassed_to_read_children_s_books.html\" target=\"_blank\" rel=\"noopener\">Slate article<\/a> dismissing YA books as not suitably literary or complex reading for adults. Suggestions poured in, and I&#8217;m posting the list of books below.<br \/>\nFirst, however, I wanted to share the first bit of my favorite response to the Ruth Graham article. Titled &#8220;<a href=\"http:\/\/www.nerve.com\/books\/a-young-adult-authors-fantastic-crusade-to-defend-literatures-most-maligned-genre\" target=\"_blank\" rel=\"noopener\">A Young Adult Author\u2019s Fantastic Crusade to Defend Literature\u2019s Most Maligned Genre<\/a>,&#8221; it\u00a0was posted on Nerve.com by YA writer Kathleen Hale, and it begins this way:<br \/>\n<em>Last week, I read Ruth Graham\u2019s article\u00a0<a href=\"http:\/\/www.slate.com\/articles\/arts\/books\/2014\/06\/against_ya_adults_should_be_embarrassed_to_read_children_s_books.html\" target=\"_blank\" rel=\"noopener\">\u201cAgainst YA.\u201d<\/a>\u00a0In it, Graham contends that adults should be embarrassed to read YA novels. Instead, grownups should focus their attention on serious, \u201cliterary fiction\u201d that grapples with \u201cbig ideas about time and space and science and love.\u201d<\/em><br \/>\n<em>As\u00a0<a href=\"http:\/\/www.barnesandnoble.com\/w\/no-one-else-can-have-you-kathleen-hale\/1115554666?ean=9780062211194\" target=\"_blank\" rel=\"noopener\">a YA writer<\/a>\u00a0myself, I was understandably offended. I\u2019m not some schlocky trash-peddler. I\u2019m a serious author, capable of far more than maudlin plot twists and clich\u00e9d dialogue. That\u2019s why I decided to confront Graham in person.<\/em><br \/>\n<em>I picked her up outside the graveyard before nightfall.<\/em><br \/>\n<em>\u201cI\u2019ve been waiting for you,\u201d she said, as we stepped into my father\u2019s beat up Chevy. We were going 70 miles an hour, two girls with different colored hair.<\/em><br \/>\n<em>\u201cWhy did you say that about YA?\u201d I asked, as tears streamed down my face like rain.<\/em><br \/>\n<em>\u201cBecause it\u2019s true!\u201d she hissed. And I saw in the moonlight that her anger made her beautiful. This was before the war, when the oceans still had water, and the moon was still visible in the sky.<\/em><br \/>\nHale&#8217;s\u00a0<a href=\"http:\/\/www.nerve.com\/books\/a-young-adult-authors-fantastic-crusade-to-defend-literatures-most-maligned-genre\" target=\"_blank\" rel=\"noopener\">post continues<\/a>, hilariously, in this vein. It is clever, spooftastic fun, but also a glorious, smart reply to the issues raised in Ruth Graham&#8217;s article.<br \/>\nAnd now for the <span style=\"text-decoration: underline;\"><strong>Anti-Anti-YA Book List<\/strong><\/span> of complex, rewarding young adult reads no one should be ashamed of reading and enjoying. The aim was to include only realistic YA, but a few fantasy, alternative reality, and graphic novels sneaked in. Thanks to all of the ShelfTalker readers who contributed:<br \/>\n<i>13 Reasons Why<\/i> by Jay Asher<br \/>\n<i>17 and Gone<\/i> by Nova Ren Suma.<br \/>\n<i>33 Snowfish<\/i> by Adam Rapp<br \/>\n<i>The Absolutely True Diary of a Part-Time Indian<\/i> by Sherman Alexie<br \/>\n<i>Afterparty<\/i> by Ann Redisch Stampler<br \/>\nanything by Sarah Dessen<br \/>\n<i>Aristotle and Dante Discover the Secrets of the Universe<\/i> by Benjamin Alire Saenz<br \/>\n<i>The Astonishing Life of Octavian Nothing, Traitor to the Nation<\/i>: <i>The Pox Party<\/i> by M.T. Anderson<br \/>\n<i>Beauty Queens<\/i> by Libba Bray<br \/>\n<i>Belle Epoque<\/i> by Elizabeth Ross<br \/>\n<i>Berlin Boxing Club<\/i> by Robert Sharenow<br \/>\n<i>Between Shades of Gray<\/i> by Ruta Sepetys<br \/>\n<i>Bitterblue<\/i> by Kristin Cashore<br \/>\n<i>Black Juice<\/i> by Margo Lanagan<br \/>\n<i>Bone Dance<\/i> by Martha Brooks<br \/>\n<i>The Book Thief<\/i> by Markus Zusak<br \/>\n<i>Breathe My Name<\/i> by R.A. Nelson<br \/>\n<i>Candy<\/i> by Kevin Brooks<br \/>\n<i>The Chocolate War<\/i> by Robert Cormier<br \/>\n<i>Code Name Verity<\/i> by Elizabeth Wein<br \/>\n<i>Confessions of a Hater<\/i> by Caprice Crane<br \/>\n<i>Crossing Stones<\/i> by Helen Frost<br \/>\n<i>The Curious Incident of the Dog in the Night-Time<\/i> by Mark Haddon<br \/>\n<i>Dark Dude<\/i> by Oscar Hijuelos<br \/>\n<i>Deerskin<\/i> by Robin McKinley<br \/>\n<i>The Diviners<\/i> by Libba Bray<br \/>\n<i>Downriver<\/i> by Will Hobbs<br \/>\n<i>Eleanor &amp; Park<\/i> by Rainbow Rowell<br \/>\n<i>Every Day<\/i> by David Levithan<br \/>\n<i>Fangirl<\/i> by Rainbow Rowell<br \/>\n<em>Fat Angie<\/em> by e.E. Charlton-Trujillo<br \/>\n<i>Fighting Ruben Wolfe<\/i> by Markus Zusak<br \/>\n<i>Finninkin of the Rock<\/i> by Melina Marchetta<br \/>\n<i>For the Win<\/i> by Cory Doctorow<br \/>\n<i>Gil Marsh<\/i> by A.C.E. Bauer<br \/>\n<i>Going Bovine<\/i> by Libba Bray<br \/>\n<i>Graceling<\/i> by Kristin Cashore<br \/>\n<i>Grasshopper Jungle<\/i> by Andrew Smith<br \/>\n<em>Grave Mercy<\/em> by R.L. LaFevers<br \/>\n<i>Gringolandia<\/i> by Lyn Miller-Lachmann<br \/>\n<i>Guy in Real Life<\/i> by Steve Brezenoff<br \/>\n<i>Hard Love<\/i> by Ellen Wittlinger<br \/>\n<i>Heart\u2019s Delight<\/i> by Per Nilsson<br \/>\n<i>how i live now<\/i> by Meg Rosoff<br \/>\n<i>How to Say Goodbye in Robot<\/i> by Natalie Standiford<br \/>\n<i>Hush<\/i> by Eishes Chayil<br \/>\n<i>I Am J<\/i> by Cris Beam<br \/>\n<i>I Am the Messenger<\/i> by Markus Zusak<br \/>\n<i>I\u2019ll Be There<\/i> by Holly Goldberg Sloan<br \/>\n<i>If You Come Softly<\/i> by Jacqueline Woodson<br \/>\n<i>If You Could Be Mine<\/i> by Sara Farizan.<br \/>\n<i>The Impossible Knife of Memory<\/i> by Laurie Halse Anderson<br \/>\n<i>In Darkness<\/i> by Nick Lake<br \/>\n<i>Jellicoe Road<\/i> by Melina Marchetta<br \/>\n<i>Jumped<\/i> by Rita Williams-Garcia<br \/>\n<i>Kingdom of Little Wounds<\/i> by Susann Cokal<br \/>\n<i>The Kings Are Already Here<\/i> by Garret Freymann-Weyr<br \/>\n<i>The Knife of Never Letting Go<\/i> (Chaos Walking trilogy) by Patrick Ness<br \/>\n<i>Last Night I Sang to the Monster<\/i> by Benjamin Alire Saenz<br \/>\n<i>Lessons from a Dead Girl<\/i> by Jo Knowles<br \/>\n<i>Liar <\/i>by Justine Larbalestier<br \/>\n<i>Life as We Knew It<\/i> (Mooncrash series) by Susan Beth Pfeffer<br \/>\n<i>Life: An Exploded Diagram<\/i> by Mal Peet<br \/>\n<i>Like the Red Panda<\/i> by Andrea Seigel<br \/>\n<i>The List<\/i> by Siobhan Vivian<br \/>\n<i>Little Women<\/i> by Louisa May Alcott<br \/>\n<i>Looking for Alaska<\/i> by John Green<br \/>\n<i>Love is the Higher Law<\/i> by David Levithan<br \/>\n<i>Love Letters to the Dead<\/i> by Ava Dellaria<br \/>\n<i>Me and Earl and the Dying Girl<\/i> by Jesse Andrews<br \/>\n<i>Midwinterblood <\/i>by Marcus Sedgwick<br \/>\n<i>A Monster Calls<\/i> by Patrick Ness<br \/>\n<i>My Book of Life by Angel<\/i> by Martine Leavitt<br \/>\n<i>My Soon-to-be Sex Life<\/i> by Judith Tewes<br \/>\n<i>No Safe Place<\/i> by Deborah Ellis<br \/>\n<i>Once Was Lost<\/i> by Sara Zarr<br \/>\n<i>The Opposite of Hallelujah<\/i> by Anna Jarzab<br \/>\n<i>Paper Covers Rock<\/i> by Jenny Hubbard<br \/>\n<em>the perks of being a wallflower<\/em> by stephen chbosky<br \/>\n<i>Persepolis<\/i> by Marjane Satrapi<br \/>\n<i>The Piper\u2019s Son<\/i> by Melina Marchetta<br \/>\n<i>Please Ignore Vera Dietz<\/i> by A.S. King<br \/>\n<i>Pointe<\/i> by Brandy Colbert<br \/>\n<i>Postcards from No Man\u2019s Land<\/i> by Aidan Chambers<br \/>\n<i>Prisoner of Night and Fog<\/i> by Anne Blankman<br \/>\n<i>Revolver <\/i>by Marcus Sedgwick<br \/>\n<i>Rose Under Fire<\/i> by Elizabeth Wein<br \/>\n<i>The Scorpio Races<\/i> by Maggie Stiefvater<br \/>\n<i>Sean Griswold\u2019s Head<\/i> by Lindsey Leavitt<br \/>\n<i>The Secret Side of Empty<\/i> by Maria E. Andreu<br \/>\n<i>Seraphina<\/i> by Rachel Hartman<br \/>\n<i>Served Anytime<\/i> by Sarah Combs<br \/>\n<i>Shine<\/i> by Lauren Myracle<br \/>\n<i>Since You Left Me<\/i> by Allen Zadoff<br \/>\n<i>Sister Mischief<\/i> by Laura Goode<br \/>\n<i>Skim<\/i> by Mariko Tamaki (graphic novel)<br \/>\n<i>Solace of the Road<\/i> by Siobhan Dowd<br \/>\n<i>Someday This Pain Will Be Useful to You<\/i> by Peter Cameron<br \/>\n<i>Sorta Like a Rockstar<\/i> by Matthew Quick<br \/>\n<i>Speak<\/i> by Laurie Halse Anderson<br \/>\n<i>Stick<\/i> by Andrew Smith<br \/>\n<i>Stoner and Spaz<\/i> by Ron Koertge<br \/>\n<i>The Strange and Beautiful Sorrows of Ava Lavender<\/i> by Leslye Walton<br \/>\n<i>Suckerpunch<\/i> by David Hernandez<br \/>\n<i>Tamar<\/i> by Mal Peet<br \/>\n<i>Taste of Salt<\/i> by Frances Temple<br \/>\n<i>Tender Morsels <\/i>by Margo Lanagan<br \/>\n<i>The Thief<\/i> by Megan Whalen Turner<br \/>\n<i>This is How I Find Her<\/i> by Sara Polsky<br \/>\n<i>Toning the Sweep<\/i> by Angela Johnson<br \/>\n<i>Two Boys Kissing <\/i>by David Levithan<br \/>\n<i>The Tyrant\u2019s Daugher<\/i> by J. C. Carleson<br \/>\n<i>Under the Mesquite<\/i> by Guadalupe Garcia McCall<br \/>\n<i>We Were Liars<\/i> by E. Lockhart<br \/>\n<i>Whale Talk<\/i> (and other novels) by Chris Crutcher<br \/>\n<i>Where Things Come Back<\/i> by John Corey Whaley<br \/>\n<i>The White Darkness<\/i> by Geraldine McCaughrean<br \/>\n<i>Will Grayson, Will Grayson<\/i> by John Green and David Levithan<br \/>\n<i>Winger<\/i> by Andrew Smith<br \/>\n<i>With or Without You<\/i> by Brian Farrey<br \/>\n<i>Yaqui Delgado Wants to Kick Your Ass<\/i> by Meg Medina<\/p>\n","protected":false},"excerpt":{"rendered":"<p>More than 100 richly rewarding YA reads, plus Kathleen Hale&#8217;s delightful reply to Slate&#8217;s Anti-YA article.<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13322","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts\/13322","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13322"}],"version-history":[{"count":0,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts\/13322\/revisions"}],"wp:attachment":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13322"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13322"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13322"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}