{"id":12768,"date":"2014-04-11T08:30:06","date_gmt":"2014-04-11T12:30:06","guid":{"rendered":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/?p=12768"},"modified":"2014-04-11T08:30:06","modified_gmt":"2014-04-11T12:30:06","slug":"fabulous-first-lines-2014-edition-round-one","status":"publish","type":"post","link":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/?p=12768","title":{"rendered":"Fabulous First Lines, 2014 Edition, Round One"},"content":{"rendered":"<p><img decoding=\"async\" class=\"alignright\" alt=\"\" src=\"http:\/\/www.randomhousekids.com\/media\/images\/books\/cover_images\/9780385373807.jpg.500x0_q85.jpg\" width=\"221\" height=\"315\" \/>While an exceptional first line is a wonderful thing, any superior delight it offers is actually lagniappe, since readers generally are willing to wade through a page or two\u2014and usually at least a chapter\u2014before abandoning a book as a lost cause.\u00a0First lines are important, but they don&#8217;t carry the pressure of, say, the last line, which shoulders the entire narrative on its skinny self.\u00a0All an opening line in a novel really needs to accomplish is to make you want to read on.<br \/>\nThat said, there&#8217;s a particular pleasure in a terrific first line. It sets the tone for the book, can establish a strong voice or setting, assist in building the fictional world, startle readers into unfamiliarity, make them laugh or gasp. The first line gives you a sense of the storyteller in whom you are placing your time and trust to lead you on a remarkable journey.<br \/>\nTwice before in ShelfTalker, I have collected fabulous first lines (<a href=\"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/?p=12185\" target=\"_blank\" rel=\"noopener\">2013<\/a>, <a href=\"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/?p=3550\" target=\"_blank\" rel=\"noopener\">2011<\/a>) that caught my attention from the year&#8217;s new middle grade and young adult releases. Below are some of the standouts I&#8217;ve come across so far from the 2014 crop of ARCs.<br \/>\nThis is just the first round; plenty of time for more of the best to surface! In December, we&#8217;ll vote for the absolute best first line of the year.<br \/>\n<span style=\"line-height: 1.714285714; font-size: 1rem;\">Enjoy, and please add your own 2014 discoveries in the comments section.<\/span><br \/>\n<em style=\"line-height: 1.714285714; font-size: 1rem;\"><em>I&#8217;m the happiest guy alive, because Katrina M. Zabinski is my girlfriend. I&#8217;m also the most miserable guy who ever lived, because the pressure of having a girlfriend like Tina is crushing.<\/em>\u00a0\u2014<strong><em>Family Ties<\/em><\/strong>\u00a0<\/em>by Gary Paulsen (Random House \/ Wendy Lamb)<br \/>\n<em>My rules for the Black Market are simple. Don&#8217;t make eye contact\u2014especially with men. Their faces are sharp, but their eyes are sharper, and you never want to draw that blade.<\/em> \u2014<strong><em>Sekret<\/em><\/strong> by Lindsay Smith (Roaring Brook)<br \/>\n<em><\/em><em style=\"line-height: 1.714285714; font-size: 1rem;\">Maximillian Reisman can stand on his head for thirty minutes if he wants to.\u00a0<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">\u2014<\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\"><strong>The Cracks in the Kingdom<\/strong><\/em><strong style=\"line-height: 1.714285714; font-size: 1rem;\">\u00a0<\/strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">by Jaclyn Moriarty (Scholastic \/ Arthur A. Levine)<\/span><br \/>\n<em style=\"line-height: 1.714285714; font-size: 1rem;\">There&#8217;s something I need to tell you.<\/em><br \/>\n<em> Don&#8217;t be mad.<\/em><br \/>\n<em> Please. Please don&#8217;t be mad. I hate it when you&#8217;re mad at me.<\/em><br \/>\n\u2014<strong><em>We Are the Goldens<\/em><\/strong> by Dana Reinhardt (Random House \/ Wendy Lamb)<br \/>\n<em>No body meant no casket, so they used her headshot instead. This was a Hollywood funeral, after all.<\/em>\u00a0\u2014<strong><em>A Hitch at the Fairmont<\/em><\/strong>\u00a0by Jim Averbeck (Simon &amp; Schuster \/ Atheneum)<br \/>\n<em style=\"line-height: 1.714285714; font-size: 1rem;\">When I first heard Gayle, I couldn&#8217;t tell if she was a bird or a girl.<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> \u2014<\/span><strong style=\"line-height: 1.714285714; font-size: 1rem;\"><em>Nightingale&#8217;s<\/em><em> Nest<\/em><\/strong><span style=\"line-height: 1.714285714; font-size: 1rem;\"> by Nikki Loftin (Penguin \/ Razorbill)<\/span><br \/>\n<em>Once upon a time there were two brothers, as alike to one another as you are to your own reflection.<\/em>\u00a0\u2014<em><strong>The Witch&#8217;s Boy<\/strong><\/em>\u00a0by Kelly Barnhill (Algonquin Young Readers)<br \/>\n<em style=\"line-height: 1.714285714; font-size: 1rem;\">In my life, I&#8217;d had my share of fights, sometimes with fists, sometimes with knives, occasionally with a sword. I&#8217;d faced opponents twice my size, twice as mean, and, as a general rule, uglier than I ever hoped to be.<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> \u2014<\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\"><strong>The Shadow<\/strong><strong> Throne<\/strong><\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\"> by Jennifer A. Nielsen (Scholastic Press)<\/span><br \/>\n<em>It looked like an ordinary package.<\/em> \u2014<strong><em>The Secret Box<\/em><\/strong> by Whitaker Ringwald (HarperCollins \/ Katherine Tegen)<br \/>\n<em>I am Private First Class Daniel Christopher Wright, I am seventeen years old, and I fired the shot that ended the United States of America.<\/em> \u2014<strong><em>Divided We Fall<\/em> <\/strong>by Trent Reedy (Scholastic \/ Arthur A. Levine)<br \/>\n<em>I&#8217;d never seen a mock man until the Professor showed me one.<\/em> \u2014<strong><em>Threatened<\/em> <\/strong>by Eliot Schrefer (Scholastic Press)<br \/>\n<em style=\"line-height: 1.714285714; font-size: 1rem;\">As Jackson Greene sped past the Maplewood Middle School cafeteria \u2014 his trademark red tie skewed slightly to the left, a yellow No. 2 pencil balanced behind his ear, and a small spiral-bound notebook tucked in his right jacket pocket \u2014 he found himself dangerously close to sliding back into the warm confines of scheming and pranking.\u00a0<\/em><span style=\"line-height: 1.714285714; font-size: 1rem;\">\u2014<\/span><em style=\"line-height: 1.714285714; font-size: 1rem;\"><strong>The Great Greene<\/strong> <strong>Heist<\/strong><\/em><strong style=\"line-height: 1.714285714; font-size: 1rem;\"><\/strong><strong style=\"line-height: 1.714285714; font-size: 1rem;\">\u00a0<\/strong><span style=\"line-height: 1.714285714; font-size: 1rem;\">by Varian Johnson (Scholastic \/ Arthur A. Levine)<\/span><br \/>\nWhat first lines have you loved this year?<br \/>\n&nbsp;<br \/>\n&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some of this year&#8217;s best first lines from MG and YA novels.<\/p>\n","protected":false},"author":5,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12768","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts\/12768","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=12768"}],"version-history":[{"count":0,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=\/wp\/v2\/posts\/12768\/revisions"}],"wp:attachment":[{"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=12768"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=12768"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blogs.publishersweekly.com\/blogs\/shelftalker\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=12768"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}