At the end of the previous episode of Weird Tales: A Sad Decline, publisher John Harlacher had taken down editor Marvin Kaye’s offensive editorial, made an announcement that Revealing Eden would not be excerpted in WT, and said that Kaye was traveling but would “make his own statement shortly”.
Instead of doing so, Kaye is apparently responding directly, and defensively, to subscription cancellation requests. Lisa A. Grabenstetter reprints one such email, which addresses her criticism of Hamlet’s Father (first published in Kaye’s anthology The Ghost Quartet, as longtime Genreville readers will recall from this blow-up last year) as well as Revealing Eden:
Your wishes will be respected; I believe the publisher will handle that, I regret your decision, and can only say that after reading the book, I found it a powerful attack on racism, just the opposite from the charges leveled at it. However, I only recently saw the marketing of this book, and find it in terrible taste; had I seen it, I would not have read the book. As it is, we have decided not to publish the story.
Regarding Scott Card’s story, I did not see any homophobia in it, or I would have objected, but for the record, I did not want to buy anything from him; the publisher, Tor Books, made it clear that if I did not include his story, they would not publish the book at all.
(While the ethics of reprinting personal emails are debatable, I would consider this a corporate response to a business-related request–though obviously Kaye is taking it on himself to inject the personal into the professional–and I see nothing wrong with sharing such a response with the business’s current and potential customers.)
Kaye had previously made similar statements about Tor bearing responsibility for the Card novella, but here he gratuitously takes the additional step of saying he “did not see any homophobia” in a book that has the blatant premise of a gay man molesting boys and turning them gay and/or insane. The homophobia in it is precisely as obvious as the racism in Revealing Eden–which, as Debbie Reese points out in this article, is extensive and continues throughout the book (h/t to Grabenstetter for that link). Kaye also clearly hasn’t read the many comments on Harlacher’s statement asking why there’s all this focus on the marketing materials for Revealing Eden when the book itself is so obviously problematic.
Like many people, I continue to await Kaye’s official public statement, but at this point I’m not really sure why. It doesn’t seem likely that he’s going to realize just how oblivious he is, or how tragic it is that he’s turned a reputable publication into a laughingstock.