Tag Archives: james franco

The PW Morning Report: Monday, Dec. 6, 2010

Craig Morgan Teicher -- December 6th, 2010

Today’s Links:

Opening A Bookstore?: A columnist at the Pittsburgh Post-Gazette, tired of reporting on bookstore closings, muses on opening a bookstore himself.

Book TV: The NYT takes a literary look at the ABC show ‘Castle,’ about a made-up writer, and the real books–you can actually buy them–he’s written.

Best and Worst Book Trailers: HuffPo rounds ‘em up.

Salon‘s Best Fiction of 2010: It’s time for another best-of, this time from Salon”s Laura Miller.

James Franco in the Hot Seat: Writer/ Actor/ Everything James Franco taped an appearance on Inside the Actors’ Studio, and a Rumpus contributor was there to write it up.

PW at the Movies: A Review of ‘127 Hours’

Rachel Deahl -- November 1st, 2010

Brought to you, commercial free, by PW news editor Rachel Deahl and online reviews editor Mike Harvkey.

Spoiler alert: the review below may, depending on your opinion, contain spoilers

Rachel: 127 Hours is, ostensibly, about Aron Ralston, the outdoorsman who earned his 15 minutes after, in 2003, he hacked off nearly half of his arm because he got it caught behind a rock in Canyonlands National Park. But director Danny Boyle’s film isn’t really about Ralston, it’s about that arm.

Based on Ralston’s 2004 memoir Between a Rock and a Hard Place (Atria), 127 Hours—the title refers to the amount of time Ralston was trapped with limited water (and even less food)—initially seems like something of a cinematic experiment. How do you create an arc, and dramatic tension, in a story about one character, stuck in one place, where viewers, by and large, know the outcome? To his credit Boyle, and his charismatic star, James Franco, do a more than serviceable job on this front. 127 Hours moves at a steady click and never feels boring or claustrophobic.

Boyle (Slumdog Millionaire), who’s known for frenetic camera work and bright pops of color, brings that trademark style to bear here. And, surprisingly, shots that might have come off as canned vistas of the American West—there are more than a few swooping takes of a blue sky against the dramatic browns and reds of the breathtaking Utah desert—work to good effect, reinforcing the bleakness of Ralston’s ‘in the middle of nowhere’ situation. (His hand got caught, on a lark, when a rock fell and trapped him as he was descending into a cave-like area.)

And Franco is excellent as Ralston. Talking at turns to himself and into the video camera he’d brought with him—it’s perched on the rock that looks likely to cause his death—Franco brings a sense of playfulness and levity to the film. He also gives the seemingly flat Ralston—an engineer who works in a camping store and moonlights as a search-and-rescue volunteer—some depth, focusing on the 26-year-old’s painful realization that his selfishness put him in this fatal situation. (It was the fact that Ralston told no one where he was going that ensured no rescue team would be sent to find him.)

Continue reading

James Franco, Adaptor of Literary Works

Craig Morgan Teicher -- October 1st, 2010

This week James Franco announced that he has optioned Stephen Elliott’s The Adderall Diaries, but this hardly marks the first time Franco has put his name alongside a literary author’s.  And not just Allen Ginsberg, but also the wonderful contemporary poet Frank Bidart.  Turns out Franco also created a film adaptation of Bidart’s early masterpiece “Herbert White,” a poem written in the voice of a murderous sort of necrophiliac-type that begins:

“When I hit her on the head, it was good,

and then I did it to her a couple of times,–
but it was funny,–afterwards,
it was as if somebody else did it …

It’s a grim poem that tries to probe, with as much honesty and integrity as it can, the mind of somebody on an extreme edge of the crazy continuum.  Certainly it must make for a grim film, though hopefully compelling film.  Anybody seen it?

[Thanks to our reviewer Danniel Schoonebeek for the tip]

Stephen Elliott on James Franco

Craig Morgan Teicher -- September 30th, 2010

PWxyz got in touch with Stephen Elliott as soon as we heard the big news that James Franco has optioned The Adderall Diaries and plans to adapt, direct, and star in the film version of Elliott’s book.  He told us “It’s very exciting–I’m flattered.  I think Franco’s a real artist and a writer so I’m really excited that he’s the person who optioned the book.”

Of course Elliott is also a practical guy and rather than fantasize about film and fame, he’s focused on the good old paper edition of his book: “Mostly I’m hopeful that this will convince more people to read the book, especially since it just came out as a paperback two days ago and is a lot more affordable now. Films take a long time to make.”

Seems like Elliott has lots of faith in Franco, though shortly after the news broke, Elliott wondered aloud about Franco on Twitter: “But is he handsome enough?”

James Franco Buys Film Rights to Stephen Elliott’s The Adderall Diaries

Craig Morgan Teicher -- September 30th, 2010

Actor and author James Franco is all over literature these days–not only is he portraying Allen Ginsberg in a new movie and publishing his own book of short stores, but, according to Deadline New York, he’s just bought the rights to Stephen Elliott’s memoir The Adderall Diaries, which he plans to adapt for the screen, direct, and star in.

The Adderall Diaries chronicles author and Rumpus editor Elliott’s obsession with a murder trial and his own coming-to-grips with a history of abuse and sexual eccentricity.  It will no doubt make an interesting movie if Franco can retain the intensity of Elliott’s writing in the adaptation.

This news is also notable because, while it’s not Graywolf’s first book to be optioned or made into a film, optioning by Franco makes this one of the press’s most high profile foray’s into the film world (though Graywolf publicist Erin Kottke just told PWxyz that it turns out “Il Postino” was based on a Graywolf book” and noted that Graywolf rarely retains film rights, which in this case went through Elliott’s agent)  She also told us the following:

We are thrilled with the news that James Franco has optioned the film right to Stephen Elliott’s THE ADDERALL DIARIES. We knew the book was special when we published the hardcover, and hope that Franco’s high profile status will help the book reach the wider audience it deserves, especially now that the paperback is out. We think he’ll do a great job with the material and can’t wait to see the final product.

We’ll have more on this hopefully from Elliott himself later today.

Acting Like A Writer, Writing Like An Actor: James Franco and Michael Cunningham Talk Shop

Craig Morgan Teicher -- September 29th, 2010

While we’re talking about celebrity-writers, here’s something a bit more serious.  In the above video and a pair of others (head over to New York mag to see those) put together by Macmillan, novelist Michael Cunningham and actor and soon-to-be-published writer James Franco talk writing.  They’re actually quote affectionate with one another, speaking with clear admiration about each others’ books.  It’s nice.

You Can’t Be Good at Everything: on James Franco’s Fiction

Craig Morgan Teicher -- August 26th, 2010

We’ve just published our review of actor James Franco’s debut short story collection, Palo Alto.  While we commend Franco for not having “opted to coast by on movie star mystique,” unfortunately, we can’t point to much in Franco’s fiction that redeems “the overall failure of this collection.”

So we’re curious: what do you think?  Do you buy it when actors become writers?  Are there crossover artists you like a lot?  We’d love to hear from you below.

James Franco: Basically Informative!

Jonathan Segura -- July 28th, 2010

Craig informs me that I actually have to follow up on yesterday’s James Franco post and pick a winner from the comments.

(I think he’s so adamant about that because he thinks he’s going to win. He’s not.)

So, hmm. Let’s see. Joel! You win. Your speedy response and ingenious pairing of a dialed down compliment with an exclamation point are the stuff contest-winning quips are made of.  The winning description is characterizes the book as “Basically Informative!”

Your prize is, as promised, my admiration. Know this, Joel: I admire you. As does our blue argyle sock friend.

Honorable mention goes to Snowden, who invented a word, I think. “Digressingly”?

Ginsberg’s Howl Still Selling Strong

Craig Morgan Teicher -- July 23rd, 2010

Who says people don’t read poetry?  Certainly not the best minds of any generation.  Allen Ginsbeg’s seminal book Howl and other Poems is still selling like crazy–about 25,000 copies per year, with over a million printed since the book’s first publication in 1956, according to the Washington Post, which has a nice, long article about all the “Howl” events now going on.

Among those events is a series of readings in D.C. and an upcoming movie starring James Franco.  Click here to see some clips.