Category Archives: accessibility

Authors Guild v. HathiTrust: Closing the Case

Peter Brantley -- October 11th, 2012

Firefighter G.F. Sevilles visiting classroom at Halloween, 1966  A Federal judge has found in favor of defendant HathiTrust’s (HT) request for summary judgment on Fair Use grounds against the Authors Guild (AG), delivering a victory for those seeking new uses for digitized material. The AG had filed suit against HathiTrust and several public universities alleging widespread copyright infringement through Hathi’s mass digitization project (MDP) with Google.

Judge Baer ruled that the MDP was transformative; the uses made of the digital copies for search, analysis, and facilitating access for the reading disabled all clearly fell within Fair Use. In his ruling, which eliminates the need for a jury trial, Baer’s language was emphatic: “Although I recognize that the facts here may on some levels be without precedent, I am convinced that they fall safely within the protection of fair use such that there is no genuine issue of material fact. I cannot imagine a definition of fair use that would not encompass the transformative uses made by Defendants’ MDP … “.

Although the AG could appeal the HT ruling, PW contributor and legal scholar James Grimmelmann notes that the “opinion makes the case seem so lopsided that it makes the appeal into an uphill battle.” Judge Baer clearly felt that some of AG’s assertions – e.g., proclaiming that Section 108 worked precisely opposite the way it clearly states it works with Fair Use, were frivolous. Legal fees are routinely assessed against the losing party in copyright cases, and the AG should offer not to appeal the case in exchange for the defendants agreeing not to seek attorneys’ fees. Whether defendants would accept such a trade given the low odds of a successful appeal is open to question.

The Court’s straightforward and clean ruling provides the AG with very little room to maneuver in its continuing case against Google, which is currently stayed on a procedural issue at the Appeals Court. Notably, Judge Baer found that the AG, as an authors association, lacked the ability to represent its members’ individual copyright claims in AG v. HathiTrust. This suggests that only class action certification, which now must be upheld at Appeals, would permit it to have a compelling footprint in its case before Judge Chin.

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Serving a public that knows how to copy: orphan works and mass digitization

Peter Brantley -- April 14th, 2012

Marxchivist, Indigent Orphans

Flickr, CC-BY, @Marxchivist


The UC Berkeley Center for Law and Technology (BCLT) is among the most eminent study centers for intellectual property (IP) law. Coordinated by Professor Pamela Samuelson, this last week it pulled together approximately 200 highly accomplished and well-spoken legal scholars, practitioners and librarians in a small conference on orphan works, “Orphan Works and Mass Digitization.”

Obstacles and opportunities.

The conference started with a series of talks on the dysfunctions of current copyright law, with its propensity to generate orphans. The overall consensus, most succinctly aired by Brewster Kahle of the Internet Archive, is that the the problem is so pervasive and the barriers to a comprehensive resolution so high — while networked communications make sharing ever more straightforward — that institutions are increasingly prone to adopt a “Damn the torpedoes” approach. For these panelists, the prospect of new legislation attempting to facilitate use of material with dim rights status is often scarier than the status quo given political deadlock; further, uncertainty over the use of these materials is endemic but the risk is fairly low, in part because libraries, archives, and museums (LAMs) are respectful and conservative. At the same time, the cultural value is often tremendous.
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Remembering the rights of others

Peter Brantley -- December 14th, 2011

Two years ago, in September 2009, the National Federation of the Blind (NFB) testified in front of the Judiciary Committee of the United States House of Representatives, urging support for the proposed Google Book Search (GBS) settlement between Google, the Authors Guild, and the AAP. Nearly one year previously, in October 2008, the University of Michigan, one of the participating GBS libraries, had demonstrated to the NFB how they would make their digital collection accessible to the print disabled. In the GBS settlement, the NFB saw the means to daylight millions of books that otherwise would remain unavailable to the visually impaired, never having been made accessible by their publishers.

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SXSW: Ogilvy & Mather Gives Back Cool Graphic Recordings

Calvin Reid -- March 13th, 2011

Jordan Berkowitz (l.) and artist Heather Willems in front of her drawing on "Health in Africa"

One of the first things I noted at certain SXSW panels was the presence of artists, set up with large boards and drawing tables, frantically drawing and sketching. Turns out they are part of Ogilvy Notes, an impressive visual project by the advertising agency Ogilvy & Mather that is creating large-scale “visual notes” or vivid graphic documentation of a selection of panels and keynotes, improvised and executed on the spot by a team of artists.

Directed by Jordan Berkowitz, Ogilvy & Mather executive director Creative Technology & Innovation, Ogilvy Notes has brought together a team of artists that specialize in a process called variously, “viz notes,” or “graphic facilitation.” The artists set up at events, panels or business meetings and have the ability to sketch representations of the themes, topics and high points of the discussion on the spot, rendering a kind of graphic map of the event in a frenzy of typographic and representational design. Although the drawings have elements of comics, they really offer an overall field of clever, funny and pointed illustration that essentially visually recreates the event they feature.

“They’re a stream of consciousness creation,” said Berkowitz, who brought together a team of about 6 artists who specialize in this kind of on-the-spot graphic recreation. At a time when schools, businesses and the media have realized the importance of visual learning and visual storytelling, the project offers an inventive and memorable strategy to connect and communicate topical issues with the public.

“Its an amazing skill. How do you manage to spot and represent a point made in an ongoing discussion,” Berkowitz said. Ogilvy is using the artists as way to “give back”, Berkowitz said, to the SXSW community. He also emphasized that a team of editors went over the schedule to choose a broad range of panels—from “Public Transit Data and APIs” to “Black Women in Media”—“we didn’t want the content to be self-serving; there is bredth and depth in the subject matter,” said Berkowitz.

The project will document panels for three days over the weekend and producing a phenomenal 25-30 drawings at day! Once completed the project will have about 85-90 drawings and Ogilvy will turn them into original prints and make them available for free (you can pick them up today). In addition the public can download free high resolution versions of all the drawings at the Ogilvy Notes website.

“They’re constructed and created in the moment, people can find them through twitter and facebook,” Berkowitz said. Ogilvy has stacked the large drawings in a kind of “house of cards” sculptural installation on the top level of the Austin Convention Center. Berkowitz said the site is also encouraging artists interested in working in this manner to upload their sketchbooks and art and they may get a chance to work on future graphic documentations.

San Diego Comic-con: ‘Yen Plus’ Manga Mag Goes Digital for $2.99 a Month

Calvin Reid -- July 25th, 2010

Yen Press, Hachette’s manga and conventional comics imprint, made a big step forward for digital access to its manga list announcing plans to discontinue the print edition of Yen Plus, its monthly manga magazine, and launch a digital version. Yen Plus was launched as a print magazine and offers around 400 pages a month of serialized Yen Press titles including bestselling series like the manga adaptation of James Patterson’s Maximum Ride as well as popular series like the Gossip Girl adaptation and Svetlana Chmakova’s Night School.

At the Yen Press panel at San Diego Comic-con, publishing director Kurt Hassler announced an online non-flash browser accessible with a subscription plan. Fans can subscribe to Yen Plus online (first 30 days are free) for $2.99 a month. The fans receive the full content of the nearly 400 page print magazine including fan art and publisher columns. Yen Press is among the American manga publishers who joined the recent anti-scanlation coalition with Japanese publishers, and the launch of Yen Plus online addresses many of the issues around providing legitimate online access to licensed manga.

Yen Press online seems both a positive step toward paid online access to content and a direct and nonpunitive challenge to the rise in scanlations. Access is offered on a nonterritorial basis—fans can log in from anywhere. There is no downloading and the site will offer access to two months of Yen Plus, the current issue and previous month, after which back issue content is removed. “Yes, we want to encourage you to buy our print editions,” Hassler said from the podium. Hassler said Yen Press will make more announcements in the coming months about accessing Yen Press content on handheld devices. Hassler pointed to the success of the iPad but said that they have already ruled out e-ink devices like the Kindle and Sony Reader, “our decision will be driven by quality and e-ink just isn’t there.”

While some fans (the huge hall was packed) seemed a bit dismayed that there would be no downloading, the launch seemed to generate a positive response. Japanese publishers have been nortoriously slow about providing digital access to their content and their delay has been blamed for fostering the growth of scanlation aggregators, online sites that offer free access to thousands of illegally scanned copyrighted manga editions. While U.S. based manga publishers like Viz and DMP are offering some digital access to manga, Japanese licensors are very reluctant to offer digital licenses to their American licensees. Being able to offer some Japanese content through Yen Plus is something of an industry coup. “Digital licensing is very new in Japan,” Hassler said, “but our negotiations with our Japanese publishers are evolving and we’ve got more announcements coming in the future.”

Read:OutLoud Makes E-Books Accessible to Disabled Students

PWStaff -- July 14th, 2010

One of the great benefits of the rise of e-books is the fact that they enabled readers with various kinds of disabilities to have access to more books than ever before. Don Jonson, a major producer of products for the disabled, has just launched a robust new e-reading platform for students called Read:OutLoud. The platform reads e-books aloud, is compatible with many file formats, and is specifically designed with the needs of students in mind.

Here’s more from eBookNewser: “Read:OutLoud reads various eBook formats including PDF, RTF, TXT, XML and HTML files, as well as open-source content and Bookshare files. It also has study tools, such as highlighters, bookmarks and direct links to Google’s online dictionary.”