2011 was a mixed year for adaptations, ranging from bad (One Day) to okay (The Girl with the Dragon Tattoo) to great (Drive). 2012 looks to have more sterling book-to-film adaptations on the slate, ranging from massive YA sensations to smaller, prestige pictures, and everything in between. We’ve narrowed down the year in adaptations to 10 to look out for.
10. Great Expectations (TBA 2012)
Another year, another Great Expectations adaptation, this time with Ralph Fiennes as Magwitch, Helena Bonham Carter as Miss Havisham, and Jeremy Irvine (the emoting boy in War Horse) as Pip. This version is directed by Mike Newell, owner of the weirdest filmography ever: Harry Potter 4, Mona Lisa Smile, Donnie Brasco, Prince of Persia, and Four Weddings and a Funeral. We’re not sure how necessary this is, and there are no indications that there will be anything new and different done with Dickens, and that’s why it’s likely it’ll probably be a perfectly competent adaptation and not much more. Still, Dickens done average is better than most anything done well.
9. The Perks of Being a Wallflower (TBA 2012)
Stephen Chbosky’s beloved book about a teenage outsider dealing with love and his best friend’s suicide finally comes to the screen. What’s most interesting is Chbosky is directing the film, and has adapted the screenplay. Whether it catches on with the teenage crowd will make or break the film. Look for Wallflower to hit around the end of the year.
8. Anna Karenina (TBA 2012)
The 13th film adaptation of Tolstoy’s epic love story features Keira Knightley as Anna and Jude Law as her husband Alexei, with Aaron Johnson as Vronsky, her young lover. Joe Wright, director of Atonement and Pride & Prejudice, teams up with Tom Stoppard, who’s probably best known for his screenplay for Shakespeare in Love. Look for this prestige picture to hit in awards season and to collect a bunch of nominations.
7. Wettest County (August 31)
Boy oh boy, look at those names. Tom Hardy, Guy Pearce, Jessica Chastain, Mia Wasikowska. Directing: John Hillcoat, responsible for The Proposition, one of the best westerns since Leone was around. The story, based on Matt Bondurant’s novel, is about the Bondurant boys (Hardy and Shia LaBeouf), two bootleggers who chase the American dream in Prohibition-era Virginia. It’s like Boardwalk Empire without the disappointment. Release was originally scheduled for December of last year, but the Weinstein Co. pushed it all the way to this August to capitalize on all the attention Hardy will get as Bane in The Dark Knight Rises.
6. The Hobbit: An Unexpected Journey (December 14)
Peter Jackson takes us back to Middle Earth with the first half of Tolkien’s other epic. Martin Freeman plays the young Bilbo Baggins, who is approached by Gandalf the Grey (Ian McKellen reprises his role) to take back Erebor, the dwarf kingdom conquered by the dragon Smaug. Elijah Wood, Cate Blanchett, Orlando Bloom, Ian Holm, and more return for this go-around. There’s not a lot more to say about it, because you already know if the Jackson/Tolkien pair is your thing. But out of all the adaptations here, it’s likely between Hobbit and Hunger Games for highest grossing. The last Lord of the Rings took in $377 million, and Hobbit should land somewhere in that ballpark. How much can Hunger Games rack up?
5. Cosmopolis (TBA 2012)
Here’s a confession: I’ve never seen Robert Pattinson act. I hear he’s the worst. But here’s something else: Cosmopolis is being directed by David Cronenberg, a person whom I’ve already asked to be my valentine. And if David wants to cast this, then I’m okay with it, because, by my count, he’s made a half dozen great movies, including three masterpieces (A History of Violence, Eastern Promises, Dead Ringers). Cosmopolis is Don DeLillo’s one-day book centered around the peak of corporate dependency and market optimism just before it crashed. The book takes place in young billionaire Eric Packer’s stretch limousine as he heads to the barbershop across the city. Count us in.
4. The Great Gatsby (December 25)
One of the wild cards on the list because it has a lower floor than most others here. The risk/reward seems fairly high, as it does with most Baz Luhrmann pictures. Questions abound. Why is Baz insisting on the movie being 3D? Why is Tobey Maguire playing Nick? But on the other hand, DiCaprio as Gatsby, Carey Mulligan as Daisy, and Joel Edgerton as Tom all get vigorous thumbs-ups. The verdict on the film will come down to whether it slides into camp melodrama (~1:10 odds on that happening), and how successful this over-the-top tone is, whether it’s more like Moulin Rouge! (good) or Australia (bad). And either way, I think we’d all prefer a not-so-successful, over-the-top Gatsby versus the sterile Redford Gatsby.
3. The Hunger Games (March 23)
District 12′s tribute is Katniss Everdeen, who must fight 23 other tributes in a game of survival broadcast for the entire nation of Panem to watch. But we all knew that already. It’ll be interesting to see how Lionsgate maneuvers this adaptation around its source material, trying to get the largest possible audience while also hoping to avoid the poor reputation of the Twilight movies, which have become poster childs for vacuous studios cashgrabs that prey on a rabid fan base. However it turns out, you can expect to find me in the front row on opening weekend with the biggest popcorn they make. I’m sure we’ll have a good discussion together, you and I.
2. Cloud Atlas (TBA 2012)
David Mitchell’s big book about how our actions have consequences for others throughout history has three directors: The Matrix‘s Wachowski brothers are sharing the same chair with Tom Tykwer, who is best known for Run Lola Run (and the criminally underappreciated Perfume). The cast: Tom Hanks, Hugo Weaving, Halle Berry, Susan Sarandon, Hugh Grant, and Jim Sturgess (who is really good at getting people to try to figure out what his appeal is). Estimated budget: $100 million. With the pedigree involved, and with concept art that looks like the above, it’s hard not to get excited; let’s hope it doesn’t slide into sentimentality, as these “multiple story movies” are known to do, trading cheap heartstring yanks in order to shoehorn surface emotion into an overcrowded ensemble picture.
1. Life of Pi (December 21)
Yann Martel’s massive sensation Life of Pi comes to theaters, and it has us excited because of the risk Fox Filmed is taking: they’re making it in 3D. There will be around 35 3D Hollywood movies released in 2012, the vast majority of them superhero or genre films. Life of Pi is a boy and a tiger in a boat. That’s about it. And what’s so enticing about Pi‘s 3D is that Ang Lee, a stickler for visuals, is directing. And unlike Luhrmann, we trust Lee to do smart things with the 3D. We’re interested to see what he can do with so little (relatively), and the challenge of adapting a pretty difficult to adapt book is more than enough to get us in the theater.